The words that come at the start of a story whether told or written are much significant. They lay a basis of how the story will flow and end. A good beginning gives the audience what to expect from you thus creates their interest in the story. It also enhances the flow of a story. It can be embarrassing to start a story that will end in the middle because you started it wrongly. This leads to heavy losses in terms of writing resources, time and effort. When selecting the opening words, you should be entirely devoted to ensure a great start. How to best start a story can be a stressful undertaking but you can use these factors.
Build momentum. The first guideline of the starting lines of a story is that they must contain elements on which the whole story is based. Lines in the beginning should have distinct point of view, voice and bits about characterization. Unless you have a good reason of not revealing, the closure of the beginning paragraph must tell what a story is all about.
You can avoid the urge to begin too early. There exist temptations of starting a story prior to the start of action. The reason we begin this way is the failure to allow the narrative build its own momentum. We rather try forcing our way into the narrative. Elements including the persona waking up to a challenging day can appear in the flashback.
Do not overtake your readers. Among the major challenges is starting a story with a line that is confusing to readers at the beginning. Some of the audience that is lost may restrain from reading the other story parts. However, it can apply well since additional information is available as one continues to read. All you need to be sure about is its ability to create sense to readers who have and do not have information of the whole piece.
You can try a mysterious start. While this has a possibility to lose some readers, presenting a puzzle is much effective especially in instances where the author is as well puzzled. This develops partnership of the reader and the narrator in certain ways. Questions whose answers are not availed can cover the entire narration.
Keep talks minimal. If you have to introduce your story with a dialogue, see possibility of losing some audience. A good way to maneuver through is to introduce one dialogue then provide explanations before carrying on with the next dialogues. Sequences of long dialogues as the story starts can be scarcely followed.